Charles Fenwick

Please find the size options below. These refer to the dimensions of the image only. All Medici prints come with a border around the image with the title and artist name printed at the foot of the sheet.

Annie L. Swynnerton (1844-1933) was born in Kersal, near Manchester, one of seven daughters of Francis Robinson, a solicitor. From an early age she painted watercolours to supplement the family's reduced income, but began her serious training as an artist at Manchester School of Art, before leaving to enrol at the Académie Julian in Paris. Her work was first exhibited at the Royal Academy in 1879, and the following year she exhibited a portrait of her friend Isabel Dacre (Manchester City Art Gallery), with whom she later formed the Manchester Society of Women Painters. Swynnerton completed her studies by travelling for two years in Italy. During a stay in Rome she met the Manx sculptor Joseph Swynnerton, whom she married in 1883; until his death in 1910, they lived mainly in Rome. Whilst in Italy, Swynnerton painted works such as 'An Italian Mother and Child' (Manchester City Art Gallery) in a style clearly reminiscent of Renaissance painting, and panoramic landscapes such as 'The Olive' Gatherers (Manchester City Art Gallery). In 1902, after a gap of sixteen years, Swynnerton exhibited again at the Royal Academy. Always greatly admired by other painters, her work was bought by prominent figures in the art world. In 1906 Sir George Clausen purchased 'New-Risen Hope', depicting the figure of a naked child, and later presented it to the National Gallery of Victoria in Melbourne. John Singer Sargent bought 'The Oreads' in 1907, a sculpturesque group of sea-nymphs, giving the painting to the Tate Gallery, London, in 1922. In addition to her allegorical paintings, Swynnerton exhibited many portraits at the Academy in the 1910s. In 1922, backed by Clausen and Sargent, Swynnerton was the first woman to be elected an Associate of the Royal Academy. Annie Swynnerton’s obituary stated that ‘vitality’ was the word which best summed up her work. In her depictions of children, especially those painted in the open air, she could most easily express her ‘youngness of heart, joy in life, and reckless abandonment to the appeal of light and colour.’

255gsm Art Paper

Our standard prints are reproduced on a premium semi matt finish paper. Its micro-porous resin coating provides exceptional colour accuracy and stability

315gsm Museum Quality Watercolour Art Board, Acid Free

Our watercolour board has a natural white finish with a slightly structured, soft-textured surface equivalent to a traditional etching fine art paper. The surface has a special matte coating, designed for high quality fine art reproduction with giclée technology. It is an archival quality paper with great colour accuracy.

Standard Delivery

Standard Delivery items are usually dispatched within 2 working days of the order being placed. We aim to deliver within:

3-5 working days for UK
4-7 working days for Europe
7-10 working days for USA, Canada, Fast East, Australasia and the rest of the world.

Delivery Prices

Standard UK delivery from £3.50
Europe & the rest of the world from £8.00
All prints will be tissue wrapped, bubble wrapped and packed into robust cardboard tubes.